Book Insights & Memory Science
Moonwalking with Einstein: What Memory Champions Teach Us About Language Learning
In 2005, Joshua Foer walked into the USA Memory Championship as a journalist writing a magazine piece. He expected to find freaks of nature. Instead he found ordinary people with one shared technique: the memory palace. A year later he won the entire championship. Here is what Moonwalking with Einstein reveals about memory champion techniques — and what it means for every language learner who wants vocabulary to actually stick.
Book Summary and Key Insights
Published in 2011, Moonwalking with Einstein: The Art and Science of Remembering Everything follows Joshua Foer through a single year of memory training that ends with him winning the USA Memory Championship. The title itself is a memory device: Foer encodes Albert Einstein doing the moonwalk at a specific location in his memory palace as a demonstration of the technique he is describing.
The book interweaves three threads. The first is memoir — Foer's account of training under Grand Master of Memory Ed Cooke, building palaces in his Washington DC neighbourhood, and competing. The second is science journalism — the neuroscience of memory, the history of the art of memory from ancient Greece to medieval Europe to the competitive circuit today. The third is cultural history — how human societies stored and transmitted knowledge before writing, and what was lost when the printed page replaced the trained mind.
“The title of World Memory Champion is held not by some digital-brained super-nerd but by a guy who describes himself as ‘a sheep farmer from Wales.’”
The five key insights the book delivers, in order of their importance to anyone trying to learn a language:
Memory champions have ordinary brains
Brain imaging shows no structural differences. The advantage is entirely in technique — specifically, converting abstract information into vivid spatial imagery.
The Baker/baker paradox explains why flashcards fail
"Mr. Baker" (a name) is forgotten. "A baker" (a profession) is remembered. The difference is the sensory network the word activates. Flashcards are all Mr. Bakers.
Elaborative encoding beats repetition
The brain records information in relation to everything it already knows. Richer relationships at the moment of encoding produce stronger memories. One vivid scene beats fifty rote reviews.
Memory palaces are the filing system
Vivid images without spatial structure blur together. The palace gives each image a unique address — a specific location that triggers retrieval automatically when you visit it.
Quality of practice matters more than quantity
Drawing on K. Anders Ericsson's deliberate practice research: not all repetition is equal. Working at the edge of your ability with immediate feedback is what drives improvement.
None of these insights were invented by Foer. The method of loci was first described by Cicero in De Oratore around 55 BC, attributed to the Greek poet Simonides of Ceos a few centuries earlier. What Foer did was make the technique accessible to a modern audience by demonstrating that an ordinary journalist could master it in a year and win a national championship. That demonstration is what makes the book useful.
What Memory Champions Actually Do
Before Foer visited the USA Memory Championship, he assumed the competitors had some physiological advantage — a larger hippocampus, a faster processing speed, a rare neurological trait. He was wrong about all of it. When German neuroscientist Martin Dresler and colleagues scanned the brains of memory champions and age-matched controls, they found no structural differences whatsoever. Same grey matter volume, same white matter integrity, same overall architecture.
What the functional MRI showed during a memory task was a different story entirely. Untrained participants activated regions associated with verbal rehearsal — the left hemisphere language areas, the phonological loop of working memory. Champions activated something completely different: the hippocampus, the retrosplenial cortex, and the medial parietal areas — the regions that together constitute the brain's navigation and spatial memory system.
Brain Activity During Memorization
Untrained Memorizer
- Left hemisphere language areas active
- Phonological loop — verbal repetition
- Working memory under strain
- Result: rapid forgetting
Memory Champion
- Hippocampus — spatial navigation
- Retrosplenial cortex — place memory
- Medial parietal — spatial imagery
- Result: near-perfect recall
They were not memorizing harder. They were memorizing differently — using the brain's most ancient and robust memory system rather than the thin, fragile verbal loop that most people rely on. The spatial navigation system in the hippocampus is not a memorization shortcut. It is the brain's primary long-term storage mechanism, refined over hundreds of thousands of years of spatial survival. When memory champions exploit it for cards and digits, they are using hardware that was built for exactly this purpose.
What this means for language learners
People who describe themselves as “bad at languages” are almost always people using the wrong technique — staring at word lists and trusting repetition to eventually lock in. They are not lacking ability. They are lacking method. The hippocampus-based spatial system that memory champions exploit is present in every human brain. You do not need a special memory. You need to use the one you already have correctly. For more on the underlying technique, read our guide to the method of loci.
The PAO System Explained
One of the most powerful tools described in Moonwalking with Einstein is the PAO system — Person, Action, Object. It is the standard architecture that competitive memorists use to encode playing cards and large numbers, and understanding it reveals something important about how to encode any abstract information.
The basic problem PAO solves: a playing card or a two-digit number is meaningless. It has no sensory content, no narrative, no imagery. You cannot “place” the eight of diamonds at a location in a memory palace because the eight of diamonds is not a thing your brain can vividly picture. PAO converts every piece of abstract information into a concrete entity your brain can work with.
How the PAO System Works
Each card or number maps to a famous person — someone vivid, specific, and instantly recognizable. The eight of clubs might be Serena Williams.
Each person has a signature action — a distinctive thing they are always doing in the scene. Serena Williams is always serving a tennis ball.
Each person has a signature object — something physically associated with them. For Serena Williams, it might be a trophy.
Three Cards, One Scene
To memorize three consecutive cards (e.g., 8♣ Q♥ 3♠), a champion takes the Person from the first card, the Action from the second, and the Object from the third, and builds one compressed scene at a single palace location. This triples the information density per stop.
Example: “Serena Williams (8♣) smashing a microphone (Q♥ action) into a skull (3♠ object) at the front door.” Three cards, one vivid scene, one location.
Why PAO matters for language learning
You do not need the full PAO architecture to learn vocabulary — it is optimized for compressing arbitrary sequences at speed, which is not the vocabulary acquisition problem. But PAO encodes the most important principle: every piece of abstract information should be converted into a vivid, specific, multi-sensory scene involving a person doing something with an object at a location.
This is precisely the structure of a good vocabulary mnemonic. The Portuguese word cachorro (dog) is encoded not as “cachorro = dog” but as a dog (Person equivalent) operating a cash register (Action-Object, sounds like “cachorro”) at the market stall (Location). That is a PAO-structured scene, and it will survive in memory long after the flashcard version has evaporated.
PAO Structure Applied to Vocabulary
A dog (P) operating a cash register (A+O) at the market. Sound: 'ca-SHOR-ro' → 'cash register.'
A janitor named Ella (P) cleaning (A) a window (O) with a giant squeegee. Sound: 'janela' → 'janitor Ella.'
Barack Obama (P) hailing (A) a taxi (O) while holding a pineapple. Sound: 'abacaxi' → 'Obama taxi.'
How These Techniques Apply to Language Learning
Moonwalking with Einstein is not a language learning book. Foer never applies his technique to foreign vocabulary, never discusses pronunciation encoding, and never addresses how you would manage a spaced review schedule across thousands of words. These are real gaps. But the principles transfer almost without modification.
The vocabulary problem is structurally identical to the problem Foer was solving. A foreign word is as meaningless to your brain as the six of hearts — an arbitrary symbol with no pre-existing associations, no sensory content, nothing to grip. The Baker/baker paradox is the vocabulary problem in miniature: “peixe” presented on a flashcard is Mr. Baker; “peixe” encoded as a swordfish in a business suit demanding a paycheck is a baker.
Convert every word into an image
The keyword method does this automatically. Find a word in your native language that sounds like the foreign word, then build a vivid image linking that keyword to the meaning. The sound of the foreign word cues the image; the image cues the meaning.
Anchor every image to a palace location
Vivid images without spatial structure blur together. Foer discovered this early — twenty scenes floating free in the mind is chaos. Placed at twenty distinct locations in a familiar space, they are perfectly retrievable. Themed palaces for vocabulary (kitchen words in the kitchen) also mirror real-world context.
Encode pronunciation inside the scene
Foer never discusses this because competitive memory deals with abstract symbols, not spoken language. For vocabulary, the keyword hook encodes pronunciation directly — the sound of the foreign word is embedded in the keyword, which is embedded in the scene. Walking the palace retrieves both sound and meaning simultaneously.
Add spaced retrieval to the palace walk
The book does not address review scheduling — competitive memory is a one-shot performance, not a months-long retention challenge. For language learning, spaced repetition must be layered on top. Each palace walk is a review session; the spacing algorithm determines when you walk which palace. This is the architecture Loci implements.
The table Foer draws from deliberate practice theory is also directly applicable. Language learning plateaus — years of Duolingo without conversational progress — follow exactly the pattern Ericsson identifies in pianists and chess players. You practise in the comfort zone, receive no meaningful feedback, and stop improving. Switching to deliberate memory palace construction — spending two minutes building a vivid, spatially anchored scene for each new word — is the shift from rote repetition to deliberate practice in vocabulary acquisition.
For a practical step-by-step guide to applying this to a specific language, see our post on using a memory palace for Portuguese.
Building Mental Images for Vocabulary
The skill Foer had to develop most intensively in his year of training was not memory — it was imagination. Specifically, the ability to generate, on demand, a fast, vivid, multi-sensory image from an arbitrary prompt. A card, a number, a name: give it thirty seconds and make it into something the brain cannot ignore. This skill transfers directly to vocabulary.
Ed Cooke taught Foer a set of rules for generating effective images, and they have remained the standard framework for competitive memorists ever since. For language learning, they translate as follows.
Make it preposterous
DistinctivenessThe brain is not impressed by the ordinary. A dog at a market stall is forgettable. A dog in a three-piece suit operating a cash register while customers queue and bark complaints is not. The more the image violates expectation, the stronger the encoding. Foer traces this to what neuroscientists call the "von Restorff effect" — distinctive items are better remembered than items that blend in.
Make it sensory
Multi-sensoryFoer repeatedly emphasizes that the best memorists do not just see their scenes — they hear, smell, feel, and taste them. The swordfish demanding a paycheck does not just appear: scales fly, ice sprays, the market reeks of fish, customers mutter and stare. Each additional sensory channel is an independent retrieval pathway to the same memory. If vision fails, smell might trigger it.
Make it animate and moving
MotionStatic images are significantly harder to remember than moving ones. Memory champions do not picture a dog sitting next to a cash register — the dog is operating it, slamming it open, coins exploding. Motion captures attention. And attention is the first gate every memory must pass through to be encoded at all.
Make it emotionally charged
Emotional arousalThe amygdala flags emotionally significant events to the hippocampus for priority encoding — this is why you remember the day of a car accident years later but cannot recall what you had for lunch three Tuesdays ago. Funny, shocking, embarrassing, or disgusting scenes exploit this system directly. Foer's mentor Ed Cooke was especially known for scenes involving graphic or absurdist humour.
Embed the sound in the scene
Phonetic hookFor vocabulary, this is the step that pure competitive memory training omits. The keyword hook must be a natural part of the visual scene, not an afterthought. The dog does not just happen to be at a cash register — it is the sound of the word cachorro landing on the register that triggers the scene. The scene is built around the sound, not attached to it.
A worked example: the word saudade
Saudade is one of the most famous Portuguese words — a deep, melancholic longing for something or someone absent. It has no direct English translation. On a flashcard, “saudade = nostalgic longing” is another Mr. Baker: a symbol pointing to a concept. Here is how to encode it as a baker.
Mnemonic Scene
saudade — nostalgic longing
Keyword hook: “saw Daddy”. Scene: You are at the airport departure gate (a location loaded with the emotional content of leave-taking). You watch a child press both hands flat against the glass as a plane pulls away. She just saw Daddy for the last time before he moved abroad. Her breath fogs the glass. The lights of the runway blur. The whole terminal feels heavy. That weight is saudade.
Notice the structure: keyword hook embedded in an emotionally charged scene, placed at a location that reinforces the meaning, with the sound inseparable from the image. This is elaborative encoding as Foer describes it — the word transformed from an arbitrary symbol into something the brain was designed to hold. For more techniques like this, see our complete guide to how to remember vocabulary.
How Loci Brings These Techniques to Your Phone
Foer ends Moonwalking with Einstein with a confession: he forgot how to use most of the competitive techniques within months of winning the championship. The reason is clear in retrospect — competitive memory training is context-free. You memorize shuffled cards because the championship tests shuffled cards, not because you care about shuffled cards. When the championship is over, the motivation evaporates and the technique follows.
Language learning is structurally different. Every word you encode in a memory palace is a word you will use in a real conversation, a real book, a real film. The palace is not an end in itself — it is the fastest path to fluency. But there is still the setup problem: building memory palaces from scratch, generating vivid mnemonic scenes for every vocabulary item, and managing a spaced review schedule by hand is feasible but slow. For a target of 2,000 words, doing this manually represents many hours of architectural work before the technique becomes useful.
Loci was built to eliminate that setup cost. Every word in the curriculum already has a pre-built mnemonic scene that encodes both pronunciation and meaning, placed at a specific location in a themed memory palace, and surfaced for active recall review at the algorithmically optimal moment before you would forget it.
How Loci Maps to the Techniques in Foer's Book
Foer's principle
Elaborative encoding — transform abstract information into vivid imagery
In Loci
Every word ships with a pre-built mnemonic scene. You see and interact with it — you do not build it yourself.
Foer's principle
Memory palace — anchor images to spatial locations in a familiar environment
In Loci
Themed palaces (kitchen, market, street, café) place every word at a specific location. Words you learn together share a spatial neighbourhood.
Foer's principle
PAO-style compression — one vivid scene encodes multiple data points
In Loci
Each scene encodes the word, its pronunciation, and its meaning simultaneously. Walking the location retrieves all three.
Foer's principle
Deliberate practice — quality of engagement beats volume of repetition
In Loci
Reviews are active recall events, not passive re-reads. You retrieve before you see the answer. Each session has feedback and difficulty calibration.
Foer's principle
What Foer's book does not cover — spaced review scheduling
In Loci
A spaced repetition algorithm determines when each word surfaces for review — individually calibrated, not a fixed schedule.
The result is that a learner can open the app on day one and immediately experience what Foer needed twelve months of manual construction to achieve. The palace architecture is already built. The scenes are already vivid. The review schedule is already running. The learner's job is to walk the palace, encounter the scenes, and retrieve the words — exactly what Foer was doing in his basement in 2005, but without the year of setup.
Currently available
- Brazilian Portuguese — 2,000+ words with pre-built palace scenes
- Themed memory palaces: kitchen, market, street, café, home
- Spaced repetition review scheduling built into palace walks
- Active recall format — retrieve before you see the answer
- Native speaker audio on every word
Frequently Asked Questions
Do I need a good memory to use the techniques from Moonwalking with Einstein?
No. This is the central argument of the book. Foer's coach Ed Cooke, a Grand Master of Memory, told him explicitly that there is no such thing as an innately good or bad memory for this kind of material — only trained and untrained ones. The MRI research Foer cites confirms it: memory champions have structurally ordinary brains. They have learned to use the spatial memory system that every human being possesses. You already have the hardware. The technique is the software.
What is the PAO system and do I need it to learn a language?
The PAO (Person-Action-Object) system is a competitive memory tool designed to compress large amounts of abstract information — playing card combinations, number strings — into dense, memorable scenes. For language learning, you do not need the full PAO architecture. What you need is the underlying principle: convert abstract information into a vivid, specific, multi-sensory scene involving a person doing something with an object. That compressed scene is far more memorable than a bare symbol. The keyword method used in language mnemonics follows exactly this pattern.
Is a memory palace better than Anki for vocabulary?
They do different things, and they are most powerful when used together. A memory palace provides deep initial encoding — a vivid, spatially anchored mnemonic scene that makes a word impossible to forget after a single encounter. Anki (spaced repetition) provides optimally timed review — surfacing the word at the exact moment before you would forget it. Neither alone is as effective as both together. Foer's book describes the encoding half of this system in detail. Loci is built around combining both.
How long does it take to build a memory palace for vocabulary?
A well-built scene for a single vocabulary word takes around 60 to 90 seconds the first time — finding a keyword hook, constructing the image, and placing it mentally at a location. With practice, this drops to 20 to 30 seconds. For a target of 2,000 words, this represents roughly 10 to 15 hours of encoding work spread over weeks. Apps like Loci eliminate this setup time entirely by providing pre-built palace scenes for every word in the curriculum.
Which languages benefit most from memory palace techniques?
All languages benefit, but the technique is especially powerful for languages where the words feel phonetically alien to a native English speaker — where there is no obvious cognate and no intuitive bridge to existing knowledge. Languages like Japanese, Mandarin, Russian, and Arabic reward mnemonic encoding highly because every word requires a synthetic hook. Portuguese is a good intermediate case: many words have partial phonetic similarities to English, making keyword hooks fast to generate, while the vocabulary is distinct enough to require deliberate encoding.
Does Foer address language learning in Moonwalking with Einstein?
Not directly. The book is about competitive memory — speed cards, random words, spoken digits, historical dates. Foer never applies the technique to foreign vocabulary and does not discuss pronunciation encoding or multi-year vocabulary management. These are genuine gaps that the book leaves open. The principles it describes, however, transfer to language learning almost without modification. Elaborative encoding, the Baker/baker paradox, the method of loci, deliberate practice theory — all map cleanly onto the vocabulary acquisition problem.
The Five Lessons at a Glance
| Lesson from Foer | Applied to language learning |
|---|---|
| No special brain required — technique is everything | Anyone can learn vocabulary fast with memory palace mnemonics |
| Vivid, bizarre images encode far more strongly | Every new word should become an absurd, multi-sensory scene |
| Elaborative encoding beats repetition | One deep encoding beats fifty passive flashcard reviews |
| Memory palaces give each image a unique address | Thematic palaces organize vocabulary naturally by real-world context |
| Quality of practice matters more than quantity | Active recall at spaced intervals — not grinding through a deck |
The app Foer would have wanted
Experience memory champion techniques without the year of setup
Foer spent twelve months building palaces by hand and inventing mnemonic scenes one by one. With Loci, 2,000+ Portuguese words already have pre-built palace scenes that encode pronunciation and meaning simultaneously. Walk the palace on day one. No setup, no flashcard grind, no plateau.
Free early access. Android. Brazilian Portuguese. More languages coming.
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